Time Out Magazine No 130 August 11-17 1972 Edinburgh Festival ICES 72 Carnival of Experimental Sounds

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  • Time Out Magazine No 855 January 7-14 1987

    ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ Thereโ€™s a glut of Bunuel in the West End: โ€˜๐—ง๐—ฟ๐—ถ๐˜€๐˜๐—ฎ๐—ป๐—ฎโ€™ at the Academy, โ€˜๐—ฅ๐—ผ๐—ฏ๐—ถ๐—ป๐˜€๐—ผ๐—ป ๐—–๐—ฟ๐˜‚๐˜€๐—ผ๐—ฒโ€™ at the ICA, and four others at the Paris Pullman, including โ€˜๐—ฉ๐—ถ๐—ฟ๐—ถ๐—ฑ๐—ถ๐—ฎ๐—ป๐—ฎโ€™ which also shows at the ICA Film Society. The Pullman also has ๐—ฃ๐—ผ๐—น๐—ฎ๐—ป๐˜€๐—ธ๐—ถโ€™๐˜€ โ€˜๐——๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฉ๐—ฎ๐—บ๐—ฝ๐—ถ๐—ฟ๐—ฒ๐˜€โ€™ and the Academy begins its ๐—•๐˜‚๐˜€๐˜๐—ฒ๐—ฟ ๐—ž๐—ฒ๐—ฎ๐˜๐—ผ๐—ป season with the amazing โ€˜๐—ข๐˜‚๐—ฟ ๐—›๐—ผ๐˜€๐—ฝ๐—ถ๐˜๐—ฎ๐—น๐—ถ๐˜๐˜†โ€™, which is definitely not to be missed. Good straight stuff includes ๐—›๐—ถ๐˜๐—ฐ๐—ต๐—ฐ๐—ผ๐—ฐ๐—ธโ€™๐˜€ โ€˜๐—™๐—ฟ๐—ฒ๐—ป๐˜‡๐˜†โ€™ and ๐—ง๐—ฟ๐˜‚๐—ณ๐—ณ๐—ฎ๐˜‚๐˜โ€™๐˜€ โ€˜๐—”๐—ป๐—ป๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐— ๐˜‚๐—ฟ๐—ถ๐—ฒ๐—นโ€™ at the Paramount and Curzon respectively. The Electric takes it easy with the ๐— ๐—ฎ๐—ฟ๐˜… ๐—•๐—ฟ๐—ผ๐˜๐—ต๐—ฒ๐—ฟ๐˜€โ€”this week includes โ€˜๐—š๐—ผ ๐—ช๐—ฒ๐˜€๐˜โ€™ and โ€˜๐—” ๐—ก๐—ถ๐—ด๐—ต๐˜ ๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎโ€™. The London Film Makers Co-op lays out a good, heavy retrospective of films from โ€™68โ€”American, Canadian, German and English. The Politkino has ๐——๐˜‡๐—ถ๐—ด๐—ฎ๐—ปโ€™๐˜€ โ€˜๐—ช๐—ฒ ๐—™๐—ฟ๐—ผ๐—บ ๐—ž๐—ฟ๐—ผ๐—ป๐˜€๐˜๐—ฎ๐—ฑ๐˜โ€™, film poetry of the events of 1919 and the ICA Film Society double-bills Anger and Warhol with โ€˜๐— ๐˜† ๐—›๐˜‚๐˜€๐˜๐—น๐—ฒ๐—ฟโ€™ and โ€˜๐—ฆ๐—ฐ๐—ผ๐—ฟ๐—ฝ๐—ถ๐—ผ ๐—ฅ๐—ถ๐˜€๐—ถ๐—ป๐—ดโ€™โ€”should be a riot. Local cinema bests are ๐—”๐—ป๐˜๐—ผ๐—ป๐—ถ๐—ผ๐—ป๐—ถโ€™๐˜€ โ€˜๐—Ÿโ€™๐—˜๐—ฐ๐—น๐—ถ๐˜€๐˜€๐—ฒโ€™ which is on with ๐—ง๐—ผ๐—ฟ๐—ฟ๐—ฒ ๐—ก๐—ถ๐—น๐˜€๐˜€๐—ผ๐—ปโ€™๐˜€ โ€˜๐—ง๐—ต๐—ฒ ๐—›๐—ผ๐˜‚๐˜€๐—ฒ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—”๐—ป๐—ด๐—ฒ๐—นโ€™ at the Venus. And late night thereโ€™s โ€˜๐—ฆ๐—ผ๐—บ๐—ฒ ๐—Ÿ๐—ถ๐—ธ๐—ฒ ๐—œ๐˜ ๐—›๐—ผ๐˜โ€™ at Muswell Hill Odeon. 

    ๐——๐—ฎ๐—ป๐—ฐ๐—ฒ & ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎ For once an opera lecture can be guaranteed to be stimulating, as itโ€™s ๐—™๐—ฟ๐—ถ๐—ฒ๐—ฑ๐—ฒ๐—น๐—ถ๐—ป๐—ฑ ๐—ช๐—ฎ๐—ด๐—ป๐—ฒ๐—ฟ speaking her mind at the Coliseum on Monday at 1 pm. Should be a stimulating lunchtime. โ€˜๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ ๐—•๐—ฎ๐—น๐—บโ€™, to be performed at โ€˜๐—ง๐—ต๐—ฒ ๐—ฃ๐—น๐—ฎ๐—ฐ๐—ฒโ€™. See โ€˜๐—œ๐—–๐—˜๐—ฆโ€™ feature (Dance). As for Danceโ€”worth sampling some of the mixed bag at The Place, itโ€™s where a variety of programmes using contemporary sounds provide the dance wing of ๐—œ๐—–๐—˜๐—ฆ-๐Ÿณ๐Ÿฎ. 

    ๐— ๐˜‚๐˜€๐—ถ๐—ฐ This weekend provides the ๐—ฅ๐—ฒ๐—ฎ๐—ฑ๐—ถ๐—ป๐—ด ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น, and if you donโ€™t know all about it by now, try the listings or the ad on page 56. On Sunday at the Rainbow there is the daunting prospect of ๐—›๐—ฎ๐˜„๐—ธ๐˜„๐—ถ๐—ป๐—ฑ and ๐—•๐—ฒ๐—ฟ๐˜†๐—น ๐—•๐—ถ๐—น๐—น๐—ฎ๐—ฏ๐—ผ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ต๐—ฒ๐—ถ๐—น๐—ฎ๐˜€, who with a name like that donโ€™t need much else. But there are rumours that the word outrageous needs to be redefined after seeing them. 

    ๐—ฅ๐—ฎ๐—ฑ๐—ถ๐—ผ & ๐—ง๐—ฉ On Sunday, Radio 3 relays ๐—๐—ผ๐—ต๐—ป ๐—–๐—ฎ๐—ด๐—ฒโ€™๐˜€ โ€˜๐—›๐—ฃ๐—ฆ๐—–๐—›๐——โ€™ from the Roundhouse as Sundayโ€™s Prom. ๐—Ÿ๐—ฒ๐—ป๐—ถ ๐—ฅ๐—ถ๐—ฒ๐—ณ๐—ฒ๐—ป๐˜€๐˜๐—ฎ๐—ต๐—น, official film-maker to the Nazis, made a marvellous film of the 1936 Berlin Olympics. The BBC are showing the first part of a new version, re-edited by her, on Friday. Collaboration! On Tuesday, ๐—ฃ๐—ฒ๐˜๐—ฒ ๐—ง๐—ผ๐˜„๐—ป๐˜€๐—ต๐—ฒ๐—ป๐—ฑ talks on โ€˜๐—•๐—ฟ๐—ฒ๐—ฎ๐—ธ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ตโ€™ about his new solo LP. โ€˜๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ๐˜€ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑโ€™ features the craft craftsmen of Clerkenwell, and โ€˜๐—” ๐— ๐—ฎ๐˜๐˜๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐——๐—ถ๐˜€๐—ฐ๐—ถ๐—ฝ๐—น๐—ถ๐—ป๐—ฒโ€™ looks at two novices in a Benedictine Monastery. ๐—ฅ๐—ผ๐—ฏ๐—ฒ๐—ฟ๐˜ ๐—ง๐—ผ๐˜„๐—ป๐˜€๐—ฒ๐—ป๐—ฑ, the Head of Avis Rent-a-Car, who made it profitable and then sacked himself, talks about American business on โ€˜๐—จ๐—ฝ ๐˜๐—ต๐—ฒ ๐—ข๐—ฟ๐—ด๐—ฎ๐—ป๐—ถ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ปโ€™ on Thursday. Earlier, the BBC show a repeat of ๐—ฅ๐—ผ๐—ฏ๐—ฒ๐—ฟ๐˜ ๐—›๐—ผ๐—น๐—น๐—ฒ๐˜€โ€™ play โ€˜๐— ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น ๐—ฅ๐—ฒ๐—ด๐—ฎ๐—ปโ€™ and the third episode of ๐—๐—ผ๐—ต๐—ป๐—ป๐˜† ๐—ฆ๐—ฝ๐—ฒ๐—ถ๐—ด๐—ต๐˜โ€™๐˜€ โ€˜๐—ง๐—ต๐—ฒ๐—บโ€™. Radio 3โ€™s โ€˜๐—ง๐—ต๐—ฒ ๐—–๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐—ฐ๐—ฎ๐˜๐—ผ๐—ฟ๐˜€โ€™ presents a discussion on the need for broadcasting to reflect a โ€˜consensusโ€™. ๐—ฅ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฑ ๐—ฅ๐—ผ๐—ฑ๐—ป๐—ฒ๐˜† ๐—•๐—ฒ๐—ป๐—ป๐—ฒ๐˜๐˜โ€™๐˜€ โ€˜๐—–๐—ผ๐—ป๐—ฐ๐—ฒ๐—ฟ๐˜๐—ผ ๐—ณ๐—ผ๐—ฟ ๐—š๐˜‚๐—ถ๐˜๐—ฎ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—–๐—ต๐—ฎ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐—ข๐—ฟ๐—ฐ๐—ต๐—ฒ๐˜€๐˜๐—ฟ๐—ฎโ€™โ€”see Edinburgh Festival feature. The cover this week is by ๐—๐—ผ๐˜€๐—ฒ๐—ฝ๐—ต ๐—ช๐—ฟ๐—ถ๐—ด๐—ต๐˜.

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