Trouser Press No. 58 January 1981 Volume Seven, Number Twelve

Features
7 ULTRAVOX
A spectacularly horrifying chronicle of imperialism gone amok; by Jim Green
8 CARLENE CARTER
Ideal cross-fertilization of two centuries and two cultures; by Jon Young
9 FINGERPRINTZ
Genuinely strange and innovative product; by Karen Schlosberg
10 CAPTAIN BEEFHEART
Mysticism, arcane symbology and apocalyptic grandeur; by Jeffrey Peisch
12 STRANGLERS _
Audacious experimentalism and assured naturalistic melodrama, by David Fricke
14 MICHAEL DES BARRES
As if Buster Keaton had wandered into a novel by Proust; by Todd Everett
17 GARY NUMAN
Mixing fact and fiction, narration and anterviews; by Jim Green
21 SYNTHESIZERS
Unexpectedly dynamic rather than melancholy; by Ted White
25 XTC
Anthropology, black humor, political allegory, ubiquitous nudity; by Scott Isler
98 THE BEAT
Polemics presented in a form meant to excite as well as inform; by Jon Young

Excellent+ condition

Trouser Press was a rock music magazine started in New York in 1974. As the 1970s music scene transformed, so did the magazine's editorial focus. From 1976 on, Trouser Press frequently centered on the growing punk movements in London and New York. Trouser Press provided in-depth articles on bands like the Sex Pistols, Boomtown Rats, The The Clash, The The Damned, The Ramones, Television, Blondie and many other similar groups, long before other U.S. music publications did. It continued through the early 1980s focusing almost exclusively on new wave, alternative rock, and underground rock from both sides of the Atlantic until it ceased publication after the April 1984 issue (#96)